Lawrence Zazzo - American Countertenor
Biography of American Countertenor Lawrence Zazzo
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Biography of American Countertenor Lawrence Zazzo
 

The American countertenor Lawrence Zazzo is one of the most outstanding singers of his generation. A native of Philadelphia, and a graduate in both Music and English from Yale and King’s College Cambridge, Lawrence made his operatic debut as Oberon A MIDSUMMER NIGHT’S DREAM to great acclaim while completing his vocal studies at the Royal College of Music, London.

He has since appeared in many of the world’s finest opera houses and concert halls. His opera roles include the title role in GIULIO CESARE (Metropolitan Opera New York, Brussels, Amsterdam, Bilbao), the title role in Gluck’s ORFEO (Netherlands), Oberon A MIDSUMMER NIGHT'S DREAM (Lyon, Toronto), Gualtiero in Scarlatti’s GRISELDA (Berlin Staatsoper, Innsbruck Festival); Goffredo RINALDO (Berlin Staatsoper, Innsbruck Festival, Opéra de Montpellier); Ottone AGRIPPINA (La Monnaie, Frankfurt, Theatre de Champs-Elysees, Wiesbaden), Giuliano in Cavalli’s ELIOGABALO (Brussels, Paris), Ottone L’INCORONAZIONE DI POPPEA (Berlin Staatsoper, La Monnaie, Bayerische Staatsoper); Endimione LA CALISTO (Covent Garden, Bayerische Staatsoper Munich, Paris), Arsamene SERSE (Theatre des Champs-Elysees, English National Opera), and the title role in Handel’s SOSARME (Sao Carlos, Lisbon).

Lawrence is also closely associated with 20th century and contemporary music. His Paris Opera debut was as Kreon in Liebermann’s MEDEA. He created the role of Trinculo in Thomas Ades’ THE TEMPEST at the Royal Opera House Covent Garden and he has sung Sciarrano’s LUCI MIE TRADITRICI in Brussels and New York. He is closely associated with the role of Mascha in Peter Eotvös’ THREE SISTERS which he has performed with the Opera de Lyon, La Monnaie, Hamburg Opera, Edinburgh Festival, Vienna Festival, and in the Netherlands. He made his BBC Symphony Orchestra debut in their commission of Jonathan Dove’s HOJOKI, and sang the Refugee in Dove’s FLIGHT for Glyndebourne.

Lawrence works with many distinguished conductors in the fields of Baroque and contemporary music, including Renè Jacobs, Christophe Rousset, , Ivor Bolton, Peter Eotvos, William Christie, Harry Bickett, Jean-Claude Malgoire, Joshua Rifkin, Trevor Pinnock , John Nelson, Jordi Savall, Harry Christophers, and Paul Goodwin. He was the first western countertenor invited to China, where he sang MESSIAH at the Shanghai Opera. His international concert career highlights include: Jephtha in Graz with Nikolaus Harnoncourt and Theodora in Halle with Trevor Pinnock, MESSIAH in Notre Dame Cathedral with L’ensemble orchestrale de Paris and in a European tour with Renè Jacobs and the Freiburger Barockorchester, Bach Lutheran Masses under Joshua Rifkin in Leipzig, St. Matthew Passion in Ambronay and Kothen with the Akademie fuer Alte Musik , the title role in Mozart’s ASCANIO IN ALBA with the Berliner Symphoniker, Vivaldi’s Nisi Dominus and Gloria with the Israel Camerata, Bach B Minor Mass with the Salzburg Mozarteum, and SAUL in Berlin and Lisbon with Renè Jacobs and Concerto Köln. His Canadian debut was as Didymus in THEODORA in Ottawa under Trevor Pinnock and he sang the title roles of Handel’s LOTARIO and RICCARDO PRIMO with the Kammerorchester Basel in a European tour with Paul Goodwin. He most recently worked with Christopher Hogwood singing the title role of Handel’s AMADIGI in London and Birmingham, and made his debut at the Salle Pleyel with Jordi Savall in a concert version of Vivaldi’s FARNACE. An accomplished recitalist, he has given many around Europe, most recently at the Festival de Beaune. the Rheinvokal Festival, and the MA Festival Bruges.

Future plans include the title role in Radamisto at the English National Opera, the title role in Giulio Cesare with Nathalie Dessay as Cleopatra in a new production for the Paris Opera, Gluck’s Orfeo in Toronto, and his first Farnace in Mitridate in Munich with Ivor Bolton. In March 2011 he will make his Wigmore Hall debut with a piano recital of  American songs.

His recordings include Rinaldo, Messiah, Griselda and Saul for Harmonia Mundi; Serse and Fernando for Virgin Classics, Partenope for Chandos, Deborah for Naxos, Britten’s Rejoice in the Lamb and Pergolesi’s Stabat Mater for Columns Classics,  Riccardo Primo and Duetti Amorosi for Sony BMG, as well as Byrdland, the music of William Byrd and Dowland with the Paragon Saxophone Quartet, for Landor Records. A world premiere recording of Handel’s 1735 version of Athalia, as well as a lute recital of early and contemporary mad songs, Lunarcy, will be released next year on the Sony BMG and EPR labels.

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